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How to See: Looking, Talking, and Thinking about Art, by David Salle

A master class in contemporary art by one of the preeminent painters of our time.

How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates the work of many of the most influential artists of the twentieth century. Engaging with a wide range of Salle’s friends and contemporaries―from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others―How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.

Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.

30 illustrations

  • Sales Rank: #11949 in Books
  • Published on: 2016-10-18
  • Released on: 2016-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.00" w x 6.50" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

Review
“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” (Salman Rushdie)

“David Salle’s brilliant canvases changed everything, and now his luminescent eye and voice have married in a book that is destined to alter not only how we look at art, but the language we use to describe it. His essays are a gift that, in addition to feeding one’s process of intellection, nourishes one’s art loving soul. Transcendent.” (Hilton Als)

“David Salle is widely known as one of our most daring and intelligent painters, but he is also an eloquent critic. How to See is a marvel of incisive and intimate observation. For all his audacity as a painter, Salle seems touchingly proud to be a part of the family of art and to derive his pictorial forms from what he calls the ‘the shared DNA of art,’ raising the possibility that all masterworks are in fact a group project.” (Deborah Solomon)

“David Salle’s thoughtful, intelligent, beautifully written essays inspire us to think about, and look at, art in wholly new ways. He makes difficult subjects (and artists) seem effortless, transparent, and he wears the depth and breadth of his knowledge of art and art history so lightly that we hardly notice how much we are learning. How to See is a pure pleasure to read.” (Francine Prose)

“David Salle writes about art with a joyous lucidity that is both bracing―nothing, absolutely nothing, escapes his notice―and utterly disarming. He guides his readers through the complex world of contemporary art with a rare generosity of spirit, a dazzling skill at description, and a radiant honesty that are as challenging as they are irresistible.” (Ingrid Rowland)

“David Salle asks of other art not, where does this belong? but, what does this make me feel and think about? Salle subtly and persuasively reminds us that all art, even the most seemingly recalcitrant, is there to be looked at, and that what artists do is, exactly, teach us how to see.” (Adam Gopnik)

“David Salle has a sharp, thrilling eye and an uncanny ability to reorder and make new the act of seeing. These perceptive, far-ranging essays are drawn from deep knowledge and experience―reading this book feels like having a conversation about art with the smartest person in the room.” (Emma Cline)

“Lovely to read… [How to See] is serious but never solemn, alert to pleasure, a boulevardier’s crisp stroll through the visual world.” (Dwight Garner - New York Times)

“A trenchant and light-on-its-feet collection of critical essays... about art, artists, fame, and, if you read it closely enough, what it’s like to have been David Salle for all these years.”” (Carl Swanson - New York Magazine)

“A remarkable painter whose writing is as fresh, vital, and startling as his canvases, Salle… talks about artists and their work in witty, jargon-free, and eminently accessible prose.” (Tirdad Derakhshani - Philadelphia Inquirer)

“How to See is an exhilarating and cathartic experience… an offering of passion and generosity, and a pulsing invitation to the reader to find the same in the act of seeing.” (Simone Grace Seol - The National Book Review)

“[A] breath of fresh air… Salle is the perfect art tour guide: literate, thoroughly entertaining, and insightful.” (Kirkus)

“Sharp insights and an affable tone make this collection equivalent to a hearty discussion with a mentor―recommended for anyone interested in visual arts.” (Publishers Weekly)

About the Author
David Salle’s paintings are in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Metropolitan Museum of Art, the National Gallery in Washington, DC, the Los Angeles County Art Museum, Tate Modern, the National Galerie Berlin, and many others. He lives in New York City.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Enjoyable, readable, insightful, expansive.
By Thomas Forhan
Maybe it takes an artist to write about artists, but this collection of essays and descriptions of artists' work, life and personalities is wonderful. Almost every essay sent me off to the rabbit hole looking for more examples of the art discussed, and so I found the book very expansive. Have a laptop at hand as you read and explore and enjoy at will.

1 of 1 people found the following review helpful.
Prescription for Art Eyes
By silverstar
Do you want to feel part of the NewYork arty IN group? Reading this book is the next best thing. The writing is entertaining and the stories give you an insight into how the art world has been operations. Whether you like "modern art" or not, you will be wiser after you read this....

0 of 0 people found the following review helpful.
Seeing clearly
By PEO
A must for all kinds of artists

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Fast Solvers for Mesh-Based Computations (Advances in Applied Mathematics), by Maciej Paszynski

Fast Solvers for Mesh-Based Computations presents an alternative way of constructing multi-frontal direct solver algorithms for mesh-based computations. It also describes how to design and implement those algorithms.


The book’s structure follows those of the matrices, starting from tri-diagonal matrices resulting from one-dimensional mesh-based methods, through multi-diagonal or block-diagonal matrices, and ending with general sparse matrices.


Each chapter explains how to design and implement a parallel sparse direct solver specific for a particular structure of the matrix. All the solvers presented are either designed from scratch or based on previously designed and implemented solvers.


Each chapter also derives the complete JAVA or Fortran code of the parallel sparse direct solver. The exemplary JAVA codes can be used as reference for designing parallel direct solvers in more efficient languages for specific architectures of parallel machines.


The author also derives exemplary element frontal matrices for different one-, two-, or three-dimensional mesh-based computations. These matrices can be used as references for testing the developed parallel direct solvers.


Based on more than 10 years of the author’s experience in the area, this book is a valuable resource for researchers and graduate students who would like to learn how to design and implement parallel direct solvers for mesh-based computations.

  • Sales Rank: #3143654 in eBooks
  • Published on: 2016-01-05
  • Released on: 2016-01-05
  • Format: Kindle eBook

About the Author

Maciej Paszynski, PhD, Department of Computer Science, Electronics and Telecommunications, AGH University of Science and Technology, Kraków, Poland

Most helpful customer reviews

1 of 1 people found the following review helpful.
The book has all the elements required for a reader ...
By Marcin
The book has all the elements required for a reader to successfully implement mesh-based adaptive end-to-end solution. The author's explaining ability is remarkable as are the results he claims to achieve with his software. Although quite expensive, the book is certainly worth is price and may accelerate your research by effectively fast-forwarding your knowledge to the frontiers of the adaptive computational methods field.

0 of 0 people found the following review helpful.
Great, comprehensive book on new generation multi-frontal solvers
By Piotr
I wish this book was on the market while I was trying to familiarize myself with a subject of fast, direct solvers for problems like Finite Element Method. Certainly, there are multiple papers available, but purchasing them one by one just to find out that something was missing anyway was disappointing. This is why I've given a warm welcome to this book that is comprehensive in its nature and covers practically everything that should be said in this subject. There is a multitude of examples and clear illustrations. Efficiency comparison with the traditional solvers make it also clear that this is where the future is.

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  • Original language: French
  • Dimensions: 9.45" h x .59" w x 12.60" l,
  • Binding: Paperback

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  • Published on: 2007-09-19
  • Binding: Paperback

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Hundertwasser: Complete Graphic Work 1951-1976, by Wieland Schmied

Although books on Hundertwasser's work abound, few are as satisfying as this luxuriously designed, one of a kind volume thhat was originally created as an exhibition catalog. Bound in black linen, foil-embossed, and printed in six colors with impeccable attention to detail, this gem of a book contains nintey-eight color illustrations featuring a selection of Hundertwasser's graphic works along with critical texts and commentary by the artist. A short introduction, an essay on the artist's grapgic work and an up-to-date biography make this an indispensable book for fans of Hundertwasser and lovers of beauty.

  • Sales Rank: #1108342 in Books
  • Published on: 2008-10-30
  • Released on: 2008-10-30
  • Original language: German
  • Dimensions: 6.25" h x 4.75" w x .75" l, .62 pounds
  • Binding: Hardcover
  • 249 pages

From the Inside Flap
Although books on Hundertwasser's work abound, few are as satisfying as this luxuriously designed, one of a kind volume thhat was originally created as an exhibition catalog

About the Author
WIELAND SCHMIED is an art historian and was a longtime friend and companion of Hundertwasser. He is president of the Bavarian Academy of Fine Art and is the author of numerous books, including the catalogue raisonne of Hundertwasser's works

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very, very disappointing copy!
By Amazon Customer
So very disappointing! Hundertwasser's original was a treasure! I would call this a cheap knock-off with its black glossy pages - so sad - and no wonder the price was relatively cheap ... it has nothing of the velvety matt feel of the original black pages and the metallic colours are not as vibrant as the original. I don't remember any white pages in the back half af the original book that this version has. I think Hundertwasser would turn in his grave - So sad ...... this little book provides nothing of the mystique of Hundertwasser's original little publication!
.

1 of 1 people found the following review helpful.
A beautiful little book
By Isabella Q.
An excellent and economical introduction to Hundertwasser's poster work. Compact size and nicely produced and bound book. The illustrations are mesmerizing. People who are already familiar with his work might want a larger format publication.

0 of 0 people found the following review helpful.
Five Stars
By Hector M. Nevares
Wonderful small format of his work.

See all 16 customer reviews...

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Sabtu, 20 Juli 2013

[W499.Ebook] Fee Download The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York, by Deborah Blum

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The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York, by Deborah Blum

  • Watch a video
Video From "The Chemist's War" (Slate Magazine), by Deborah BlumPulitzer Prize-winning science writer Deborah Blum follows New York City's first forensic scientists to discover a fascinating Jazz Age story of chemistry and detection, poison and murder.

Deborah Blum, writing with the high style and skill for suspense that is characteristic of the very best mystery fiction, shares the untold story of how poison rocked Jazz Age New York City. In The Poisoner's Handbook Blum draws from highly original research to track the fascinating, perilous days when a pair of forensic scientists began their trailblazing chemical detective work, fighting to end an era when untraceable poisons offered an easy path to the perfect crime.

Drama unfolds case by case as the heroes of The Poisoner's Handbook—chief medical examiner Charles Norris and toxicologist Alexander Gettler—investigate a family mysteriously stricken bald, Barnum and Bailey's Famous Blue Man, factory workers with crumbling bones, a diner serving poisoned pies, and many others. Each case presents a deadly new puzzle and Norris and Gettler work with a creativity that rivals that of the most imaginative murderer, creating revolutionary experiments to tease out even the wiliest compounds from human tissue. Yet in the tricky game of toxins, even science can't always be trusted, as proven when one of Gettler's experiments erroneously sets free a suburban housewife later nicknamed "America's Lucretia Borgia" to continue her nefarious work.

From the vantage of Norris and Gettler's laboratory in the infamous Bellevue Hospital it becomes clear that killers aren't the only toxic threat to New Yorkers. Modern life has created a kind of poison playground, and danger lurks around every corner. Automobiles choke the city streets with carbon monoxide; potent compounds, such as morphine, can be found on store shelves in products ranging from pesticides to cosmetics. Prohibition incites a chemist's war between bootleggers and government chemists while in Gotham's crowded speakeasies each round of cocktails becomes a game of Russian roulette. Norris and Gettler triumph over seemingly unbeatable odds to become the pioneers of forensic chemistry and the gatekeepers of justice during a remarkably deadly time. A beguiling concoction that is equal parts true crime, twentieth-century history, and science thriller, The Poisoner's Handbook is a page-turning account of a forgotten New York.

  • Sales Rank: #533726 in Books
  • Brand: Brand: Penguin Press HC, The
  • Published on: 2010-02-18
  • Released on: 2010-02-18
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 2.12" w x 6.50" l, 1.22 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Amazon Exclusive: Author Deborah Blum's Top Ten Poisons

On a recent radio show, I heard myself telling the host "And carbon monoxide is such a good poison.” We both started laughing--there’s just something about a Pulitzer-prize winning journalist waxing enthusiastic about something so lethal. But then he became curious--“Why?” he asked. “Why do you like it so much?”

These days, as I travel the country talking about The Poisoner’s Handbook, I’m frequently asked that question or variations on it. What’s your favorite poison? What’s the perfect poison? The answer to the latter is that it doesn’t exist--except in the plots of crime novels.

But in reality, poisons really are fascinatingly wicked chemical compounds and many of them have fascinating histories as well. Just between us, then, here’s a list of my personal favorites.

1. Carbon Monoxide (really)--It’s so beautifully simple (just two atoms--one of carbon, one of oxygen) and so amazingly efficient a killer. There’s a story I tell in the book about a murder syndicate trying to kill an amazingly resilient victim. They try everything from serving him poison alcohol to running over him with a car. But in the end, it’s carbon monoxide that does him in.

2. Arsenic--This used to be the murderer’s poison of poisons, so commonly used in the early 19th century that it was nicknamed “the inheritance powder”. It’s also the first poison that forensic scientists really figured out how to detect in a corpse. And it stays in the body for centuries, which is why we keep digging up historic figures like Napoleon or U.S. President Zachary Taylor to check their remains for poison.

3. Radium--I love the fact that this rare radioactive element used to be considered good for your health. It was mixed into medicines, face creams, health drinks in the 1920s. People thought of it like a tiny glowing sun that would give them its power. Boy, were they wrong. The two scientists in my book, Charles Norris and Alexander Gettler, proved in 1928 that the bones of people exposed to radium became radioactive--and stayed that way for years.

4. Nicotine--This was the first plant poison that scientists learned to detect in a human body. Just an incredible case in which a French aristocrat and her husband decided to kill her brother for money. They actually stewed up tobacco leaves in a barn to brew a nicotine potion. And their amateur chemical experiments inspired a very determined professional chemist to hunt them down.

5. Chloroform--Developed for surgical anesthesia in the 19th century, this rapidly became a favorite tool of home invasion robbers. If you read newspapers around the turn of the 20th century, they’re full of accounts of people who answered a knock on the door, only to be knocked out by a chloroform soaked rag. One woman woke up to find her hair shaved off--undoubtedly sold for the lucrative wig trade.

6. Mercury--In its pure state, mercury appears as a bright silver liquid, which scatters into shiny droplets when touched. No wonder it’s nicknamed quicksilver. People used to drink it as a medicine more than 100 years ago. No, they didn’t drop dead. Those silvery balls just slid right through them. Mercury is much more poisonous if it’s mixed with other chemicals and can be absorbed by the body directly. That’s why methylmercury in fish turns out to be so risky a contaminant.

7. Cyanide--One of the most famous of the homicidal poisons and--in my opinion--not a particularly good choice. Yes, it’s amazingly lethal--a teaspoon of the pure stuff can kill in a few minutes. But it’s a violent and obvious death. In early March, in fact, an Ohio doctor was convicted of murder for putting cyanide in his wife’s vitamin supplements.

8. Aconite--A heart-stoppingly deadly natural poison. It forms in ornamental plants that include the blue-flowering monkshood. The ancient Greeks called it “the queen of poisons” and considered it so evil that they believed that it derived from the saliva of Cerberus, the three-headed dog guarding the gates of hell.

9. Silver--Swallowing silver nitrate probably won’t kill you but if you do it long enough it will turn you blue. One of my favorite stories (involving a silver bullet) concerns the Famous Blue Man of Barnum and Bailey’s Circus who was analyzed by one of the heroes of my book, Alexander Gettler.

10. Thallium--Agatha Christie put this poison at the heart of one of her creepiest mysteries, The Pale Horse, and I looked at it terms of a murdered family in real life. An element discovered in the 19th century, it’s a perfect homicidal poison--tasteless and odorless--except for one obvious giveaway--the victim’s hair falls out as a result of the poisoning!

Now that I’ve written this list, I realize I could probably name ten more. But I don’t want to scare you.

--Deborah Blum

From Publishers Weekly
Starred Review. Pulitzer Prize–winning science journalist Blum (Ghost Hunters) makes chemistry come alive in her enthralling account of two forensic pioneers in early 20th-century New York. Blum follows the often unglamorous but monumentally important careers of Dr. Charles Norris, Manhattan's first trained chief medical examiner, and Alexander Gettler, its first toxicologist. Moving chronologically from Norris's appointment in 1918 through his death in 1936, Blum cleverly divides her narrative by poison, providing not only a puzzling case for each noxious substance but the ingenious methods devised by the medical examiner's office to detect them. Before the advent of forensic toxicology, which made it possible for the first time to identify poisons in corpses, Gettler learned the telltale signs of everything from cyanide (it leaves a corrosive trail in the digestive system) to the bright pink flush that signals carbon monoxide poisoning. In a particularly illuminating section, Blum examines the dangers of bootleg liquor (commonly known as wood, or methyl, alcohol) produced during Prohibition. With the pacing and rich characterization of a first-rate suspense novelist, Blum makes science accessible and fascinating. (Feb. 22)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Deborah Blum's book contains plenty of crime-drama stories for readers who are fans of CSI, and the several critics who structured their reviews around this comparison heartily recommended the book. Those who evaluated the book as a work of history or popular science were also generally pleased; with her extensive experience as a science writer, Blum knows how to humanize molecules and atoms. What some reviewers asked, though, was whether Blum's decision to structure the book's chapters around the Jazz Age toxins of choice made it more difficult to focus on her human characters and their motivations. That weakness doesn't overshadow the overall high quality here.

Most helpful customer reviews

377 of 420 people found the following review helpful.
Not Even Wrong
By Valentin Rodionov
I am a professor of chemistry at a major university, and Deborah Blum's book was an impulse buy for me.
After all, you can't go wrong with a popular science book about forensic toxicology and chemistry, can you?

It appears that this is the first book I regret buying for my Kindle (I am trying to get a refund now).
Most, if not all of the chemistry (and physics) in this book is entirely disconnected from the reality of science. Blum's treatment of poisons, analytical procedures and basic science ranges from simple misstatements, inaccuracies and misunderstandings to statements that are outright wrong. Some of these are listed below:

* The action of mustard chemical warfare agents has nothing to do with "becoming a ferocious form of sulfuric acid". Mustards act through alkylative damage of DNA (and other biomolecules).
* Sodium carbonate is not an acidic chemical.
* HCN is not a "potent acid".
* No additional source of hydrogen is needed to perform a Marsh test for arsenic.
* It is not likely that arsenic compounds will crystallize in the tissues of a poisoning victim.
* The Reinsch test is not a simple color test, as is implied by Blum's description. This is according to Gettler himself: [...]
* Electrical current is not measured in volts.
* Blum's description of radioactive decay, to borrow a phrase from Wolfgang Pauli, "is not even wrong".

This list is by no means comprehensive - these are just some of the many cringe-inducing parts in the book.
Blum spends pages upon pages on this bad science, talking about "ooze", "bubbling mess", "whizzing" elementary particles, "crystals of white arsenic" found in bodies, and "synthetic methyl alcohol called methanol".

It is utterly amazing and incomprehensible that this mistreatment of science was allowed to proceed past editorial stage. A reader with a very basic level of scientific literacy will likely notice many of the mistakes.
The fact that Blum used the period literature for her research is not an excuse for the extreme sloppiness of the book.
Fact-checking with a high school-level chemistry textbook would have gone a long way to make "The Poisoner's Handbook" at least readable.

415 of 475 people found the following review helpful.
The Not-too-chemical Handbook
By Andrew Charig
As I started "The Poisoner's Handbook", I thought this was a great book: a fine history of modern American forensic science, told through a double biography of Norris and Gettler, two of its major founders, and illuminated with engrossing tales of murder, mayhem, and nightmarish misadventure. That thought died as soon as I started to spot the technical explanations that were uninformative, misleading, or downright wrong. Will a dozen examples do?

p. 56: Hydrocyanic acid (HCN) is not a potent acid or corrosive; it is just about the weakest acid known. The fact that it is ferociously toxic has nothing to do with its acidic strength.

p. 22: Chloroform is not terribly corrosive; on keratinized tissue (normal skin) it has no effect at all.

p. 86: You cannot get anything by mixing arsenic (As), copper (Cu) and hydrogen (H2) because the first two are metals and the last is a gas that does not react spontaneously with either of them.

p. 179: Radium (Ra) does not react with water to produce radon (Rn); it produces Rn by atomic decay.

p. 183: Radium (Ra) does not decay to produce polonium (Po) and radon (Rn) - its atomic weight is far less than that of Po and Rn combined so it cannot produce both. It can decay to produce Rn, which then decays to produce Po.

p. 187: Sodium carbonate (Na2CO3) is not slightly acidic; as any highschooler knows, it is moderately basic.

p. 191: There is no such thing as diethyl phlatate. (Did Blum mean diethyl phthalate? Did anyone proofread this book?)

p. 201: Ethanol (EtOH) does not "dissolve" into acetic acid; it is converted to acetic acid by tissue enxymatic activity.

p. 206: DDT is not an organophosphate; it contains no phosphorous at all. It is a chlorinated hydrocarbon.
passim: Blum does not seem to realize that wood alcohol, methyl alcohol, and methanol are just three different names for the same compound, used at different times as chemical terminology became more precise over the years.

And at least two misconversions from US weight units to metric.

How Blum got a Pulitzer for popular science writing and a job teaching it at the university level I cannot imagine; perhaps her zoology is better than her chemistry (it would have to be much, MUCH better), but her chemistry is far too inadequate to qualify her to explain it to others.

I propose that henceforward any book purporting to explain chemistry for the layman should be vetted by a committee of ten members randomly chosen from the American Chemical Society, before it is let loose on the unsuspecting public. Why shouldn't popular science writings be subject to the same peer review that professional writings are?

If Blum had left out the chemistry or else got it right, this would be a four-star book; as it is, it's a one.

127 of 145 people found the following review helpful.
A Genuine, But Highly Entertaining, Poisoner's Handbook
By Lynne E.
I love reading about famous crimes, medical oddities, and cases solved by forensics. This book has them all, and is every bit as entertainingly well-written as my old favorite, THE MEDICAL DETECTIVES. by Berton Roueche.

Better yet, the title, THE POISONER'S HANDBOOK, is not just hyperbole. In describing famous New York City crimes committed with poison, the author discusses the chemical makeup, toxic effects, and early-20th-century sources of (1) chloroform, (2) methyl alcohol, (3) cyanide, (4) arsenic, (5) mercury, (6) carbon monoxide, (7) radium, and (8) thallium.

In reading this book, you will probably find that there is a lot you thought you knew but didn't really know about well-known poisons frequently encountered in mystery novels and television shows. Did you think that fast-acting cyanide delivers a "one whiff, you're done" death? Think again! Did you think that only Skid Row bums drank wood alcohol during Prohibition? Not so! Did you know that Marie Curie died of radiation poisoning? Probably, but did you know exactly how radium works in the body to produce aplastic anemia and death?

In reading this book, you will also learn about pioneering forensics efforts that required the grinding up of large samples of brain and organ tissue prior to laboratory testing. (In the early 20th century, testing was done with "wet" chemistry; today it is done with "dry" chemistry that only requires smears for testing.) The testing itself required many time-consuming steps and tricky procedures. Some of the testing involved tissue samples that were retained in room-temperature containers for weeks and months.

The book also tells the story of three great pioneers in forensics science--NYC medical examiner Charles Norris, his chief chemist, Alexander Gettler, and New Jersey medical examiner Harrison Martland. Norton and Gettler lobbied tirelessly against Prohibition, which caused countless deaths from bad booze (renatured industrial alcohol), and against other toxic commercial products sold for hair removal, better-looking skin, and generally improved health. Martland did important research into the effects of radium on factory workers who painted radium watch dials, and also lobbied against the sale of radium-laced health elixirs, such as Radithor. Some of these toxic products actually worked--until they succeeded in poisoning the user.

Although the book is an easy read, it is well-researched, and includes footnotes describing the author's sources. (My advance review copy did not include footnote numbers within the text, but presumably the numbers will appear in the final printed book.) The book also includes a useful bibliography of scholarly works on forensic toxicology.

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Jumat, 19 Juli 2013

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The Little Prince Arabic Audiobook with Bilingual Arabic English Scrolling Text, by Antoine Du Saint Exupery

This book comes with Arabic English scrolling text synchronized with the audiobook, thus enables Arabic language learners to comprehend the correct pronounciation of the Arabic letters. The audiobook is supplied on an MP3 CD, and the bilingual, Arabic English scrolling text files are supplied by e-mail, and /or the CD. You can play the MP3 audio file separately, on the player of your choice (Iphone, mp3 player, android phone, pc ..etc) If you want to view the scrolling text file, just run it, with the audio file, it will play, displaying the Arabic and it's English translation, scrolling in a speed synchronized with the voice. This is very useful for Arabic language students. First published in 1943, this novella is the most famous work of the French aristocrat writer, poet and pioneering aviator Antoine de Saint-Exupéry (1900-1944). The novella is both the most read and most translated book in the French language, and was voted the best book of the 20th century in France, maintaining sales of over one million copies per year worldwide. Translated into more than 250 languages and dialects, with sales totaling more than 200 million copies, it has become one of the best-selling books ever published.

  • Sales Rank: #2209794 in Books
  • Published on: 2012
  • Format: Audiobook
  • Binding: MP3 CD
  • 200 pages

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